“A soldier speaks tonight of his fallen comrade as he recalls the hard battles of this war, and at home today, a mother, a father, a wife and a group of children remember each dead hero in proud sorrow. Our dead are the only ones with the right to make a demand today, and indeed to us all, at the front or at home. They are the eternal monuments, the voices of our national conscience, which constantly drive us on to do our duty. The mothers who mourn their lost sons may be at peace. They did not in vain bear their children in pain and rear them. They lived the proudest and bravest life that a son of the fatherland can live, crowning with the most heroic end possible: they sacrificed themselves so that we could stand in the light. It is up to us alone whether their great devotion has its deepest meaning…. The coming century shines to us, as the poet says, from a royal distance. It demands of us battle and sacrifice. But one day, we will be there. For us, it is only a matter of time and patience, of courage and work, of faith and confidence in the strength of our souls and the bravery of our hearts.”
The Frisians not only more than others germans preserved their Nordic blood, but also the Nordic ancient pagan traditions, which scientists of the Third Reich tried to restore and to include them in new rituals and rites.
Herman Wirth and Wilhelm Petersen were also Frisians. Always closely linked to his Frisian homeland, he painted in the spirit of his Nordic ancestors and the Low German landscapes.
Wilhelm Petersen "Elke"
Karl Gries “Gustav Adolf vor den Toren Würzburgs” (GDK 1941)